Showing posts with label Movie. Show all posts
Showing posts with label Movie. Show all posts

Captain America: The First Avenger - America with Both Stars and Stripes

If there were ever a Captain America that the world truly accepted, it was Chris Evans playing Steve Rogers in 2011's Captain America: The First Avengers. While it is not the greatest movie in the roster, our introduction to the American hero was a real success. It made some money, sure, but what it did was introduce a man who wanted to truly help the war effort. During World War 2, he rose up to whatever lengths and whatever risks to get into the battlefield. Bringing him into a storyline that assembles the Avengers was a master stroke. 

Our introduction to Steve Rogers showed us a very ailing individual. He wants to enlist in the army, but he is barely able to breathe and his body mass is sorely lacking for the task. Seeing his desperation to help, a scientist who is developing a secret serum enlists him under special circumstances. After proving his valor in training, they hook him up to a machine and inject him with the super serum, making him much taller and much more muscular in mass. 

After taking down an assassin who kills the doctor, Captain America explodes in popularity. The scenes where he is advertising the war effort are some of the best nods to the old comics, as punching Hitler in a public relations act several dozen times is rather humorous. He is not satisfied with this, though. He is helping the war effort quite a bit, but he is now stronger than any peak physical human being, heals faster and is able to push forward on sheer willpower alone.

Watching Captain America storm a Nazi base and save a team of Ally soldiers is one of the most inspiring and patriotic pieces to be put on film. He had a very powerful shield that could bounce away bullets and infinitely more traits than that, which became one of the most recognizable symbols, even outside of the US. 

Throughout the film, though, we are gifted with one of the greatest iterations of the Red Skull in any form of media. Hugo Weaving is one of the greatest actors on the market and has made his name in nerd culture around the world. His makeup for Red Skull was menacing, relentless, and spent the entire movie using a strange cube that had powers beyond mortal belief. This cube would link this film to the main storyline of the Marvel Cinematic Universe, and is the first appearance of an Infinity Stone. The Tesseract became a staple and a symbol of the series, all the way up until Infinity War. 

The rivalry between Red Skull and Captain America has been a part of Marvel since some of its earliest years and this movie treated it with true reverence. The two of them kept butting heads throughout the film and both of them saw losses in battle that would scar them very deeply. Bucky, Captain America's friend since childhood, who enlisted shortly before Steve, was added to his strikeforce who were tasked with the destruction of Hydra. After killing so many of the third reich, they tried to take down a train that was crucial to Hydra's plans and it ended with Bucky falling to his assumed death. 

The story goes back and forth in the power's paradigm until American forces stormed Hydra's giant aircraft. Tommy Lee Jones brings in the troops that blow down the proverbial walls surrounding the Red Skull's secret plot to use the Tesseract in a horrific act of power to win the war. The final fight between the two of them is really something to behold. It's not film action genius, but it is a suitable battle between two arch nemeses that ends in both of their banishment from reality. Red Skull holds his hand onto the cube and it suddenly decides it doesn't like him and casted him out into the universe for his hubris. Captain America, as is well known in his origin, crashed into ice water and was frozen solid until he was excavated in the late 2000's by SHIELD. 

With a clear sequel bate ending involving Nick Fury, Captain America ends with a strong retroactive stance in the MCU. It is the first proper apperance of a beloved Marvel character and brought him about where he was a good man, but he was also flawed and prone to weakness. His love for Agent Carter proves to be one of his biggest weaknesses, as it haunts him after this film for the rest of its run until Avengers Endgame. Looking back on it, it is a pillar of MCU's lore, holding up several aspects of it, and creating a history that inspired more heroes to be who they are. After Cap gets out of the ice, he is respected and grown men and women geek out over him for good reason. It is one of the earliest MCU movies and it is also one that showed that they didn't need Iron Man to remain popular. The Incredible Hulk was made by a different studio, so Captain America is the first one where Marvel veered away from Tony Stark, and only added a man to the roster that would iconize it. It perfectly set up what came next for the MCU, which would shoot it into the tier of legend. Even against killer aliens and giant space worms, Steve Rogers became Captain America in a big way, and as we've seen, that title is not an easy one to hold. Virtua Mustache Punch!!  

Thor (2011) - Another One!

There were a variety of superheroes that I have loved over the course of my life and Thor happens to not really be one of them. He was cool and all, but for some reason, my eye caught to Thunderstrike. He was literally a Thor replacement, but he came with his own roster of baddies like Blood Axe, and he had cool interactions with cameo guest appearances like Spider-man. Thor was just never really on my radar, though I respected the character and his Norse origins. The movie is a decent amount of good but just not great. The humor in it bats from left to right, but the love interest is actually quite strong... here in this film. 

I love Natalie Portman, especially in Leon the Professional and Black Swan. She is an amazing actress, but only when she really puts her mind to something. Here, we can see there is plenty of her beaming talent. Sadly, though, her enthusiasm for the role would eventually dry up, leading to her turning down several appearances throughout the series. Her chemistry with Chris Hemsworth is actually quite great, as she seems interested in him, but also very perplexed by his mannerisms. 

Thor is a man of battle and glory, but he is also a pampered prince who does not know how the world works. He is to be crowned king of Asgard, but that ceremony was interrupted. We are introduced to Loki, where Tom Hiddleston would be so popular that he'd spawn his own lackluster Disney+ series. Here, though, he is manipulative, and in such a subtle way that you may actually need to view it again to see how he talks to his brother and his father. Throughout the whole film, he is gaining control little by little, by having his brother banished for his hubris, losing his powers and getting rid of an obstacle in his way. 

Somehow, they got the great Anthony Hopkins for the role of Odin and it couldn't have been more perfect. He is fair, but he is also very harsh in his punishment. He strips Thor of everything and lands him on Earth to make him learn humility. It is very much an ancient tale, but they tell it so well here in this movie. While not every character and actor is as great as Odin, we still get Stellan Skarsgard and he is magnificent as the scientist. While he would be relegated to a joke in Thor 2, he's still awesome here. The scene where he challenges Thor to a drinking match just shows how he has some pride along with his brilliance and he is very personable with Thor, even knowing who he is. 

Jane Foster is a highly underrated character. She has doubts, but she also seems to have guts and chooses to believe that Thor is who he says he is. Even though he gets zapped with electricity and goes down in a fidgeting mess. He still has a very strange speech pattern, and she recognizes that he isn't like a normal human being, no matter how long she stays with him through out the movie. When things get tough, she stays with him and even helps him when he needs her. 

The standout, however, is a then unknown Idris Elba who would take up the screen and take our hearts right out of our chests. He is absolutely brilliant, once again, this time as Heimdall. He doesn't do a great deal in terms of action in this movie, but his presence is very well known and he puts on a magnificent performance. This, thankfully, jumpstarted Elba to a household name. 

Now, this movie isn't without its faults. Loki does get a little dramatic and those scenes aren't really all that convincing that they would put him in the Odin sleep. Yes, he played it up like he was very angry that he found out he was adopted, but really, he seemed like a wiser ruler than that. Still, it gets them where they need to go. They also do spend a lot of time on Earth and those scenes can drag on at times. 

Thor does stick to its mythical elements rather well, but that kind of comes crashing down when the rest of his team from Asgard come to Earth. Seriously, when their costumes are out in a normal everyday setting, it clashes so hard that they kind of look silly. These characters are hardly ever seen again, even changing actors at random points before just flat out going away in the third movie. We'll get to that one. The mini villain in this movie is one of the most random in the entire Marvel universe. Who in their right minds thought that the Destroyer was a good idea for a random cameo fight? Sure, it links them to SHIELD because it's big and noticeable so that's all well and good, but I really feel like they could have done better.

In the end, it's a good movie. It is fun to watch in theaters and lighthearted enough to leave you feeling pretty good. The ending is a slight bummer and the conclusion to it is rather awful, but this movie stands by itself. It introduced a very relateable character with flaws that he needs to overcome. He brings himself back in style and the ending fight between him and Loki is pretty damn good, even ending in a bit of sacrifice. It solidified Thor's place in the MCU, even if the movie was considered middling by comparison.After this movie, we're just one movie away from a blatant Virtua Fangasm! 

Iron Man 2 - A Rough Metal Start


The MCU was a landmark of cinema because of the way it serialized entire movies and brought them all to a breath-taking conclusion. This was a journey that was marred with certain complications. Enter Iron Man 2, where they seemed to not know where they wanted to take Tony Stark's story. While Iron Man 3 would prove to be just as unhelpful, it seemed that after the initial Iron Man movie, Tony Stark shined a lot brighter in the Avengers movies or other movies that were not his. 

For starters, the villain in this movie was rather forgettable. Mickey Rourke gives a good performance as Whiplash, and Sam Rockwell is always good for an entertaining villain, but they just didn't mix well. There seemed to be too much conflict without enough actual story between them to make Hammer and Whiplash's interactions really click. They could be funny in the same scene, and they even pulled off a few good gags here and there. Overall, though, they both ended up just fizzling out of the series all together, both in person and memory.

One thing I did not hit on in the first review was the part of Thomas Howard. I have always loved him in pretty much any movie he is in and Iron Man is no different. This is why I was a little heartbroken that he was not returning as War Machine for the sequel. Apparently, he got top billing for the first movie and he wanted that again. When the studio refused, he walked and we got Don Cheadle instead. Cheadle has sat in that position comfortably ever since and we are all good for it. He brought some of his own personality and charm to the character and it worked like a perfectly fitted puzzle piece. A bit of a shame, but hey, who doesn't love Captain Planet, am I right?

The story, however, is not wrapped up with a very tight bow. In fact, there are some plot holes you could drive a semi through. For some reason, they decided that the fuel source for his power generator that was surgically implanted in his chest is now killing him. So, thinking he has no more time to live, he decides to go on a bender. This brings up conflict with Rhodes and the two of them go on and off while Whiplash is in the background, trying to kill Tony for his father ruining his father. This whole plot was a mess from the start. 

The biggest plothole lies within the sickness that is killing Tony. Bringing it into the story from the start painted them into a corner that they needed to get out of. So, what do they do? Make it to where his father made a new power source, made needless clues and difficulty to get to it and told Tony through a secret recording. His father somehow knew he would need this new power source and put the code for it in a secret message in a miniature Stark Industries display. It even miraculously cures Tony's illness immediately! To say this was nonsensical would be a grievous understatement. 

They handled some scenes with grace, obviously. They had a ball with Tony and Hammer going head to head in the courtroom at the very beginning. Some interactions with Tony and Nick Fury are quite comedic, but Fury basically is just a downer through the majority of the film. They also did very well with War Machine and Iron Man teaming up at the end to defeat all of the Whiplash drones, as well as the man himself. The battle was done well enough, but it's not going to be in any history books. While their teamwork was fun to watch, they're still just robot drones along with Mickey Rourke in a knockoff Iron Man suit. 

One of the biggest points in this movie's favor, though, is the introduction of Black Widow. Scarlett Johansson makes her debut as Natasha Romanova and does such a spectacular job, that the fanbase welcomed her to the Avengers with open arms. Her scenes of kicking ass did make it to the Marvel history books, especially mixed with some comedy from John Favreau. It's kind of sad that people actually liked her more than they liked this movie, thinking she deserved a better first appearance.

It's a mix and match of good and bad, but it's also not especially favorable around campfires. With how well the Avengers series did, this is seen as sort of a black sheep among the herd. It has its definite pros, but the cons kind of weigh it down to mediocrity. Iron Man would go on to become one of the most beloved characters in the MCU, but it most certainly wasn't due to his solo series in the franchise. As well as Robert Downey Jr plays him, it's still going to boil down to the script and what it provides to the series. This may have been an early entry, but it still did very little for the MCU as a whole. Black Widow and shiny new suits will only get you so far when you know what menace is over the horizon. That storyline is about to begin and it will shake this series to its very foundations. Virtua Snap.  



Justice League: Crisis on Two Earths - The Resemblance is Justice!

 These are where DC truly shined. Even above the Marvel Animated Universe, the DC Animated Movies were a grand success and it is clear why. Not all of them were part of the same universe, such as this one, but there is an actual reason for this. Crisis on Two Earths is one of the movies, such as Doomed, that was originally going to be part of the DCAU, but was scrapped. It would bridge the gap between Justice League and Justice League Unlimited. So, instead, we are given a masterful iteration of the Justice League.The voice acting, the action and the dialogue, all of it rings true with a real story behind it. 

While the idea of an evil Justice League dates way back to the early days of comics, this movie brings it to a real conflict of ideas having to do with existance itself. James Wood voices Owlman, Earth 2's version of Batman, and he deserves an award for this performance. He is serious, he is calculating, and he is a strategist bent on destroying existance itself. He is part of the Crime Syndicate, an evil version of the Justice League. Ultra Man, the evil Superman, leads them like a gang and has several different lieutenant on the field who also have super powers. The heroes of this universe are all but dead, wiped out by the Crime Syndicate, all down to their last man, Lex Luthor. 

Luthor of Earth 2 is the only one who is in this movie, while Earth 1's Luthor is seen to be in prison, reading a book. He goes to Earth 1 to enlist the help of the Justice League, saying that his team is dead and Ultra Man is planning something that will make his ownership of the world all but a certainty. The only thing standing in their way is the American president threat of nuclear retaliation. To gain the advantage, the Crime Syndicate needs a device that will allow them to destroy the entire planet. Owlman, however, decides he wants to destroy Earth Prime, the first planet and the only one that truly matters in the grand scheme of things. If Earth Prime is destroyed, reality is destroyed. 

The real fun of this movie starts when the Justice League come to Earth 2 and meet the Crime Syndicate's smaller gang members with lesser super powers. The fight between them is very charming and very large nods toward actual super villains and heroes of DC. There is even a lesser Wonder Woman besides Super Woman later in the film and Wonder Woman's conviction to defeat her is very telling of her character and shows that they understood her to a deeper level. 

It is not just a slug fest of two super powered opposites, while there is a good bit of that. It is always fun to see Superman take on Ultra Man and the two of them show which one is stronger and how they get the upper hand. Lex Luthor shows that he is also quite resourceful for the fight, though, and he is seen as the ultimate good in Earth 2 with his genius being able to match the powers of his opponents. It is good to see that they understood that he needed to be the seen as the one who claimed victory, as it would call heroes to his aid and ensure its continued prosperity. 

There are so many elements of DC represented in this movie, it's really hard to not just go straight into the entire plot beat by beat. The scenes with the Flash being hynotized, Martian Manhunter's rescue of the President's daughter, and Green Lantern's game of paper, rock, scissors, it all just added charm and little touches to this movie's entertainment value. However, there is one element that stands out above all else, and I only touched on the surface of it. 

Owlman is the hidden ultimate evil in this film. While Ultra Man is the leader of the evil gang, Owlman is the one who is even undermining him with his efforts. Destroying the Earth was already an evil enough plan, destroying Earth Prime would erase literally everything, but that is what Owlman believes is the only thing that would matter. He is an empty shell of Batman, as he gave into the abyss and believed that nothing truly mattered. The big problem is, when Batman fights him, Owlman is superior in both technology and hand-to-hand combat. It's one of this movie's little faults that Batman didn't put up a better fight, but in the end, he proved to be the winning strategist. 

When the Crime Syndicate invade the Justice League's base in order to gain the device for the bomb, this is when they decide to expand their roster. They call upon prospective members of the league and they fight the Crime Syndicate's strongest lieutenants and Super Woman. Batman is able to subdue her and bring her back to Earth 2, which is also another one of this film's greatest scenes.  

Crisis on Two Earths is my favorite movie in the DC Universe, and that's up against Batman vs Robin and Justice League The New Frontier. This animated series of DC movies would prove to be far more popular and profitable for WB and it was clear that they let them write their own movies. It's just such a shame that the DCEU couldn't be a similar success. Which movies I review will be up in the air, because I plan to touch on both. There is a lot to say about the entire run, and even if I haven't watched all of them, they're not hard to find. There shall be plenty of animated DC, though, these movies are just too good to pass on. Get ready for some exploring of the quality spectrum, from Son of Batman to Joss Whedon's Justice League... Virtua Help Us...

Spider-man: Brand New Day - Webheaded Disappointment

Spider-man is still the most marketable superhero there is. His toys, video games, comic books, and various other merch sells far better than the second, Batman. This may be part of why I started the series of Batman or Spider-man? The big problem with his marketability is that once the well really starts to run dry in the finances, they tend to lean on properties that show more returns. As a result, it feels like they rushed this movie out the door. They needed this success quickly, so story took a backseat to spectacle and fanservice. Whether a lot of it made any sense is apparently just not an issue. SPIDER SPOILERS!

How this needs to happen is going by the plotlines. Each of these plotlines go along the movie for as long as they need to be there. Once they have outlived their usefulness, they are discarded and never mentioned again. These can be storylines with severe repercussions on the characters and it can come and go as if it were nothing. This even goes into the territory of MCU's current state of affairs. Whether Tom Holland's Spider-man is a part of the Avengers at this point is very sketchy, but that's not really the movie's fault. The MCU itself is rather sketchy on such details in general.

The core of the problem with this movie lies with Jean Grey. A great deal of the faults in the story's morality and shifting focus boils down to the fact that Grey's overall plan was absolutely terrible. What she is after is her sister, as she was kidnapped by Damage Control and taken to a facility. The guy who is covering this up is not subtle, nor is his villainous intent. How Jean constantly attempts to break into Damage Control makes her out to be even worse than him. The first one that we see, which was her fourth attempt, is her taking control of some old lady's mind in order to drive a tank into the building to... break out... Scorpion. 

Look, I understand that you need to keep a villain's true motive secret in order to make the plot unveil nearer the end, but this subversion adds nothing and wastes time. Scorpion becomes the most important character for the first few scenes of the movie only for him to be dropped from the plot like a sack of bricks. Peter has a spider DNA problem taking him over and makes him turn angry with less control over his power. So, he hospitalizes Scorpion and starts to think that, maybe something is wrong.

It's all just anxiety ridden for the audience, and not in a good way. Even with all of this technology in his apartment, Jean invades his home. Even when the movie tries to make her sympathetic, she invade's MJ's mind only to taunt him. Her over-powered abilities don't even make sense for Jean Grey in the first place. She was only an average telepath, leaning more on her telekinetic powers. Yet, when unleashed fully, Jean can apparently hold entire crowds of people in mental stasis for several square miles in every direction. Even at his most powerful, Professor X has shown that a feat like this would tax him terribly, yet Grey is doing it here while also in the primary climax with Spider-man. They have a sit down about their feelings... Seriously, it's as lame as it sounds. Then, Peter gets shot!!! 

This is just the core problem with the movie. Not only are we supposed to show empathy for a girl who has shown no empathy for a single soul around her, taking over their minds like jumping through hoolah hoops, but now we need to see Peter obsess over his former life. MJ is caught up in all of this because Jean gleams his affections for her so now she's in terrible danger. Ned is a decent laugh every once in a while, but then we're reminded of his part in the script when he fangasms over "Black Widow" while she talks to Peter over video feed. I'm sorry, but no, I will never accept her as Black Widow and pulling me out of the experience of watching a movie to pass that over the audience really just shows what they're trying to concentrate on. 

So, these concentrated powers seem to come from his ineptitude to cope with the fact that MJ no longer has him in her life. Alright, well, this is probably not helped when MJ remembers Peter and still rebukes him. All of his fawning over her is not paid off, and we're left with the consolation prize of him reuniting with Ned instead. The powers? Oh, they just work themselves out. All of the biologically created webbing, new strength and stronger senses, he just learns to deal with it while fighting ninjas. The Hand's inclusion in this was... Yeah, it was dumb. The powers worked themselves out, giving hard questions as to whether it really needed so much screen time at all. 

Oh, yeah! The Punisher! The Hulk! Who else can we cram into this movie? While the Frank's scenes were good because his chemistry with Spider-man is fun to watch, the Hulk was a severely mixed bag. Jean puts far more people in terrible danger as she takes over the Hulk's mind. His mind is supposed to be excruciatingly difficult to control, both for Banner's brilliance and the Hulk's raw, terrible anger making anyone attempting control recoil in terror. Here, though, total control. He even comes very close killing both Frank Castle and Peter in a rage. Then he gets back to normal and is carted away, once again, out of the movie for good.

This story is exhausting and terribly written. There is no pacing and it feels like there is no story in the first place. It takes forever for us to get into Jean's story and once we're in it, we want out! Her morals are so twisted and the fact that she got away scott free just makes this movie feel unfinished. The climax is marred with overdramatized near-death scenes. Tom Holland is good as Spidey, as usual, but it's just another film that loves to stomp on his face throughout the runtime. It really feels like this life didn't get a whole lot better by the end of it. Watching him fail upward gets old after a while, and it'd be nice if he got a few actual wins every so often. Bring in Mary Jane or Black Cat, give him someone to be happy with that isn't dragged from his past life. Sure, the movie was successful in the box office, but it's pretty obvious that this was a film that was meant to be forgotten. It's in that stale area where it's not quite as bad as Far From Home, but still wagging on the tale-end of the tier list. It'll rest with the mediocre likes of Across the Spider-verse and Amazing Spider-man. Virtua Web Dud.

Batman or Spider-man?: Heroes at their Worst (Pt. 4)

 Well, since we judged our favorite superhero movies at their best, it's only fair that we go for their worst. While these movies had some fandom and others would argue that others are worse than these, this is going by a stark popular opinion and these are the two that gave me the worst time in the theaters. Though, there are some close competitors for the worst movies of our duo, we'll just go with these for now and call it good. By all means, if you have a better comparison, leave it in the comments. Also Activate Spider Bat Spoiler Warnings! BATSPIDER SPOILERS!

The Amazing Spider-man 2

It was an enormous task to decide which of these to put in this spot. Between this and Spider-man 3, it really came to petty devices to choose. Needless to say, this one wasted the most time for the audience. Not only does half of the movie's plots go nowhere, but it also gave us one of the worst performances by Jamie Foxx, a very talented actor. There is just so much to go over for this movie, so let's get this over with.

The problems just start immediately as you are watching. The pointless plotline of his father and mother's fate and what they were doing went absolutely nowhere. We see him look into his father's research, his notes, his briefcase with the technology and then it all goes off a cliff. There was so much precious screentime devoted to this horrible waste of human breath and it was interesting to see where it could have gone. Then it was just a conversation between ghost dad and Peter at the end that was cut from the movie. You know what?? Nevermind!

Then you have that age old problem with the villains, which is a TRAVESTY in this film. Both villains are boring and both villains only serve to piss off the audience by wasting more time. We may as well start with Foxx, since we've already mentioned him. He's the lesser of the two evils, but he is still quite evil. Electro comes to life, then hates Spider-man because he takes away his audience for 2 seconds. He loves him, then immediately hates him because the cameras go on him. Great writing, guys, way to put in that second grader logic. The rest of his story is no better, and the effects they used for his face were positively abysmal! The final fight scene was so poorly done that it's really hard to remember anything other than when he beat him in the tone of "Itsy Bitsy Spider". His obsessive Spider-man delusions at the beginning were hard enough to sit through, and they just hand us nothing better throughout the film's runtime.

The Green Goblin was even more horribly handled, as hard as that seems to believe if you haven't seen for yourself. The guy they got to play Harry Osborn was absolutely horrific in his role throughout the entire film. He cannot act to save his life, though that also may just be the directing. Either way, his performance was boring, monotone and absolute cringeworthy material by the time he got on the speeder thingy. His costume as the Green Goblin would have probably made it to more memes if he didn't look so utterly special. The way he came to the realization of Spider-man being Peter just made hands meet foreheads across the globe with how terribly it was executed. 

Then, of course, there's Gwen Stacy. Obviously, they handled their relationship fairly well. The breakup was unneeded drama, especially when it doesn't end up mattering in the end. Her obvious exit from the franchise was forecasted to an extent, but given their choice of Green Goblin, it just didn't work. Would we have liked her not to die? Yes, but if she had to, they could have at least gotten someone better for the villain role to do it. His reaction to her death was understandable, giving up the mask for a time. They handled his depression well and Garfield put on a great performance with her death scene. 

Beyond that, the Rhino with Paul Giamatti was a stupid way to handle his role. If they were going to waste all of their time with him as a human, they should have swapped and just given all of the time with him as the Rhino. There are just so many plotlines that go nowhere, like Spider-man's blood maybe having the cure for Osborne's disease or the Sinister Six garbage they set up but alas, there was no sequel. It really just all amounted to the audience getting nothing they wanted. 

It's also quite strange to note that they were planning to set up the Sinister Six, and yet they killed Electro in the end. He has been a key member in several iterations of the team and yet they kill him off before this series even gets a Sandman. The lizard was a good start, and Green Goblin plus Electro could have possibly gotten a good squad together, but they seemed to readily poke holes in their own plans. Just think of how they set up the Rhino. It's hard to believe anyone would get excited for such a team up, even with Giamatti returning to the role, which would be doubtful even if the series continued.

There were some good scenes in the movie. Some of the smaller scenes of Spider-man doing his thing were quite entertaining or when he was inventing new webshooters. The scenes between Peter and Gwen were very well handled when they were an actual couple. The fight and Gwen leaving to go overseas for college were just all filler upon filler to add more and more storylines that bog this movie down. Given what actually happens to Gwen, they spend entirely too much time with them fighting and worrying about each other and not enough time doing what was their strong suit: Being a couple. The two actors were dating at the time, so they knew how to bounce off of one another very readily. They even improvised lines very effectively. 

The fact that some snearing, ugly jerk comes and kills her is probably one of the worst things about this film. The problem was that their version of the Green Goblin was gangreneous and every moment he was on screen was absolute torture. How he took one single look at Gwen and figured out that Spider-man was Peter will go under file as one of the worst most contrived plotpoints since Spider-man 3's Harry Osborne had the butler revelation of who actually killed his father. Such lazy storytelling takes the audience out of the experience and this is no different. 

There came a time when the story just didn't know when it needed to ease off the throttle. When Green Goblin is starting to execute his plan, Electro is fighting Spider-man and Gwen is struggling to get the controls of a power plant, they decide to sprinkle a small plan crash plot like a garnish that ruins the food's texture. Why was this in the film? No, seriously, they had everything else going on, why did they need to add to the duration of an already over-stuffed movie? There is a rule: Every scene should do one, if not multiple things in a natural flow. This entire thing with the plane being unable to land does literally nothing.

Even the good things are bad in this movie. It is a slog to get through with all of the weight it is carrying with wasted time and plot devices. The performances are laughable and unable to carry this film, it just had too much footage cut from it when they thought they should keep in all of the content and maybe finish it later? Their decision didn't make any sense and we never got a third movie because Sony would have liked Andrew Garfield to attend big parties or something like that, it's all just a mess. Given how the first Amazing Spider-man started out, it would have been nice to see it go in a better direction. Is it worse than... another superhero dud, though?

Batman and Robin

There comes a time when studios and directors need to ask themselves how serious they are going to take a project. Sadly, Joel Schumacher has passed on since the making of this film and Planet Virtua bears him no ill will. We understand he was actually quite a lovely human being and he did direct Phone Booth, which was a very good movie. Batman and Robin, however, was not taken seriously in the slightest. Even with the dark versions of Batman being popular and the more serious elements of even the third movie, Schumacher was told to make it safe for kids. He took that to mean it should be a cartoon. He has since apologized through an audio commentary.

If you don't take this movie seriously, it can be fun to watch. Putting it next to Batman and Batman Returns, however, is another story. Hell, putting this up against Batman the Animated Series, which WAS a cartoon, still paints this in such a silly and clownish light. How they changed Bane from an actually intelligent criminal with venom powers just killed his character. Now he's just a Frankenstein's monster knockoff who has caveman talk. Everything is dumbed down like that. Even Uma Thurman didn't take this seriously and just had a lot of fun pumped into her performance. 

George Clooney, however, seemed to be rather miserable throughout the entire shoot. It seemed like he was wanting a more serious version of Batman, not this one where he ice skates and plays hockey with a bunch of thugs like Adam West Batman days. That's how the entire duration continues to play. Even when this movie is trying to be serious, it just gets serious enough to get to the next joke of a movie scene. Both Clooney and Arnold would go on to say that the movie did not help their careers in the slightest and many criticized them for making Batman into a parody. They have apologized, but they have also garnered a bit of an ironic cult following at the same time.

That leads us to Arnold as Mr. Freeze. If there was ever a more memed villain, it's hard to think of one. His ice puns are infamous from this role, and he just clowned it up for the fun of it. He had no problem putting on the polar bear house slippers and having a good dance to the Snow Miser song. His costume did look very impressive and apparently cost millions of dollars to both operate and keep Arnold in. Every single second he was on screen, they were burning through cash for this film, as it turned out to be one of the most expensive movies of the time. 

Nothing in this movie really makes a whole lot of sense at all. We don't see how Mr. Freeze's wife can breathe in her fish tank, we don't know how diamonds can power and charge machines meant to freeze things with ice lasers, and the forces that they are playing with in this movie could possibly destroy the Earth's atmosphere with ice lasers and sun heat beams from space. They just tossed logic out the window and said nonsense mumbo jumbo to make it sound good. They even made up a fictional sickness for both Mr. Freeze's wife and Alfred Pennyworth to be sick with just to tie their two plots together. 

Every side plot in this movie basically all boils down to "Team Work" and goes about it with a scattered sensibility. Robin keeps getting snubbed during missions because Batman does not trust that he is able to handle the danger. Thankfully, he doesn't milk the fact that he is an orphan and sad about his parents, in fact, he simply mentions that while he was with the Flying Graysons, it only worked because they were a team. While the theme is readily available without thought, the line does show character depth. Then there is them accepting that maybe Alfred's niece is skilled enough to take down criminals in a bat costume. This was a great idea with very poor execution. Making them into the Bat Family was a great idea, but it needed time to breathe, rather than be shoehorned in at the third act. Not to mention, let me accentuate my point when I say that Alicia Silverstone cannot seem to get out of her school girl persona until she gets into her Batgirl outfit and suddenly she is a blank plank of wood. Alicia is trying to be a badass when she's in the costume, but it makes her sound like she's about to fall asleep. They take the theme of "Team Work" entirely too seriously and run with it a few bridges too far. It's also prudent to note that Poison Ivy betrays Mr. Freeze because she is jealous of his wife. Bad guys have no "Team Work" and yadda yadda. 

There's another character that got very poor treatment, Batgirl. Oh yes, and Alicia Silverstone is absolutely horrible in the role. She has the look but she does not have the acting skills. She and Robin have a very terribly written dialogue of some sort of chemistry. It wasn't the good kind of chemistry but something was at least there. If the script were any better, it may have been passed off as a wacky comedy Batman, but as it stands, it will never be extended upon.

The relationship between Robin and Batgirl could have gone somewhere, but all it really did was pad out the runtime and give the late, great Coolio a brief cameo. Neither Silverstone nor Chris O'Donnell had the chemistry nor the script to pull this off effectively, so their flirting near the end was stilted and cringeworthy. In fact, even the scientists' acting was extremely amateur. When these elements are put together with a stupid giant laser plot, it really just falls off the rails. Yes, it was always a good plot for an Adam West Batman movie. With exploding sharks and other wondrous gimmicks like running around with a giant cartoon bomb, you can see where Schumacher got his inspiration.

The movie made money, but the reviews for it were so bad that Warner Brothers decided to pull the plug on the entire series. Many will argue that the Burton universe and the Schumacher universe were two separate things and you'll get no argument here. What it brought were the Nolan films and those were far better received, even though the third movie was... well that's a review for another time.

Which of these movies is worse? That's an excellent question. Should I give a point to the winner of the worst movie or the one that's not as bad? That's another very good question. So, we'll keep this rolling by going for a tie, giving them both a point, because no one truly wins in a conest of absolute horrific quality. Both of them have terrible movies, not to mention TV shows, but that's, once again, another article for another day. Rest in Peace, Joel Schumacher, Virtua Rest.

Uwe Boll - The Man that Scorned a Billion Fans


If we're talking about careers that never reached heights but still reached terrible lows, we would definitely be talking about someone like Steven Seagal. Well, we're not doing that right this second. Instead, in keeping with the video game genre of movies, we talk about a man who made so many video game movies, that he literally has an entire genre categorized for how terrible they are. It's no exaggeration to say that he has made the worst bunch of VG films ever assembled. 

Sadly, I have personally seen a great many of these films. At one point, they were just terrible movies I watched with friends, so there were more watched than I care to admit. The quality of these films was never a concept that this man took into consideration. The acting, dialogue, story beats, plot devices and endings have all been dumbed down to elementary school levels. Naming any of these movies in any sort of a list is guaranteed to have the "Worst" in the title. 

Uwe Boll is a German director who found out that he can use what money he had to purchase the film rights to a number of video game movies. At this point in time, they were seen as lesser film properties because the video game curse was in full swing during the early 2000's. This was when Boll rose to prominence. Alone in the Dark, House of the Dead, Far Cry, BloodRayne, and Poastal are known as some of the lowest points of Video Game Movie history. 

The problem was that he found out that, by exploiting a German tax law, he could make movies very cheap and then release them in theaters. They notoriously bombed at the box office, but thanks to the tax law, he would gain it all back with some profit. Using all of this money, he kept making more and more movies until the German government corrected it. Thanks to this, his funding was cut. Uwe Boll attempted to set up public funding, but the effort only brought around 4000 Spacebucks, making it a legit failure. Thanks to all of this, Uwe Boll has not made nearly as many movies in recent years and whatever he does make just comes and goes without any real notice. 

Still, it is worth analyzing these horrific failures a little closer. This entire filmography could fill the month of October, but I like to leave that more open for different horror properties. It's great fun to actually watch and make fun of these films, and reviewing them will unfortunately refresh them in my memory. So, this whole endeavor will most definitely be considered a double edged sword. How many of these films I review will depend on a lot of things, and I don't expect to review all of them. In the end, though, this will just be plain dumb fun. 

This is not bashing Uwe Boll as a person in general. No, he's not a very nice guy and he has actually challenged some of his critics to boxing matches, given he had some experience in the sport. He also went on video to attack everyone for not pledging any money to help him make another movie. Since then, he's made more movies but not nearly at the frequency he once did. Hopefully, we'll just flat out stop hearing from him. Until then, let's rip apart his films!! Virtua Revenge!



Virtua Star #3: Star Wars The Phantom Menace - How George Lucas Retconned a Universe


This is a polarizing topic, no matter how you look at it. Until The Last Jedi existed, this movie was the one that cut an entire fanbase in half. This is the movie that George Lucas used to start a witch hunt for any and every piece of lore in the Star Wars Extended Universe and stamp it out. This entire process would be repeated once again, but that is a story for another day. George Lucas has been seen as Star Wars's one and only creative entity that was involved in its formation. This is absolutely not true. 

The Phantom Menace is the first film in the prequel trilogy, and it is the beginning of his unhinged writing as if everything in the Skywalker Saga was linked together like some very strange quilt that keeps repeating the same patches over and over again. This whole "It's like poetry, it rhymes" mentality he used with this trilogy that meant he needed to bring back every element he could from the original trilogy. No one was there to tell him no, these things were all he could think of. He needed nostalgia bait from the original trilogy in order to give it that original cred that honestly ended up hacking the story up into pieces. This trilogy is made of plotholes more than it is a story. 

George Lucas didn't seem to notice that he disregarded the fans completely and destroyed an entire extended universe in the process. With all of this horrible writing going on with the prequels, even if they got somewhat better, there should have been some thought given to the stories that were written by more capable people. The story of Mara Jade marrying Luke Skywalker, the story of Grand Admiral Thrawn, Boba Fett's escape from the Sarlak Pit. All of these things could have been handled with some grace from the original creator and yet he decided to sweep it all aside. What we got as a result does not make up for what was lost in the process.

The problem was that it was aimed at a younger demographic, hince Jar Jar Binks and his childish demeanor. The fact that he is sidelined in later entries only goes to show that Lucas had no real plan to begin with, and he flat out announces that he wrote these scripts in a hurry. Somehow, Anakin Skywalker created C-3PO and had R2-D2 as a droid. Several times, the story proves that either Obi-Wan was flat out lying to Luke, or he was misremembering certain elements of his story. 

That's not even going into the fact that R2-D2 would still remember the entirety of these events. Even if he couldn't tell them directly to many people, 3PO could easily translate him and he can translate himself through any other computer. Including all of these elements really strips the bounds of many worldbuilding elements present in the original trilogy. So many things are done differently, but so many things are kept the same. Sometimes it works and sometimes it really doesn't. 

Episode 1 does one thing correctly, the lightsaber fighting. These are handled with some of the most amazing choreography ever put to screen and the ending fight scene between Qui Gon Jin, Obi-wan and Maul is harolded as one of the best scenes in general. That, however, is marred with scenes from both an entire other war, and a space battle similar to the Death Star and the Battle on Yavin, if they were piloted by mannequins. Sharing such enormous amounts of screentime between three entire climaxes happening at once was a death stroke for this film. 

With the Gungans and their continuously annoying presence along with some very stilted acting all around, it seems like George was doing it in a bit of a rush. The speed pod race was there to create toys and video games, and it did just that. It was a cute scene and had some good special effects, even beating some of the movies today. It's still undermined by the acting, though. Anakin's very young actor, Jake Lloyd, apparently wasn't given all that great of direction. With Jingle All the Way, he didn't do terribly on the acting front. It's fairly safe to assume that Lucas was not very good with kids. The final space battle was also marred with his very slow and awkward dialogue. 

Ewan McGregor and Liam Neeson are two saving graces for this film. They bring a quiet dignity that cannot be overlooked in the grand scheme of things. They took their roles very seriously and even brought about some of the cooler scenes with the lightsabers with or without their stunt doubles. It really was a shame that Neeson never returned for any of the other entries, as they were rather dumb for killing his character and Darth Maul. They obviously knew this was a mistake because they brought Maul back with a mechanical lower half. 

There were so many things mishandled with this film, it's a little dizzying. It can be looked back on with nostalgia as a less serious, more cartoony look at Star Wars. The prequels got better in some regards, but George never seemed to lose that edge of nostalgia bating both through Yoda and Emperor Palpatine. There were so many more in the series, but those are the two that they really ground out along with Anakin and Obi-wan. The villains became disposable and the storylines became more and more nonsensical. That means nonsensical both in terms of their own storylines and the continuity with the original trilogy. The sad part is, this is not even as bad as Star Wars got, not even by a long shot. However, we are here to celebrate Star Wars for its merits more than stomp on it for its faults, so let's be grateful for how... "good" the prequels turned out. Virtua Midichlorians. 

The Incredible Hulk - An Underrated SMASHING Gem

If there were ever a time that opinions clashed, it would be my personal review of The Incredible Hulk against seemingly everyone else. This movie had an all-star cast, the late great William Hurt, Liv Tyler, Edward Norton and Tim Roth from one of the greatest movies, Pulp Fiction. The Incredible Hulk was coming off the tail-end of the horrific realm of Hulk, an Ang Lee film starring Eric Bana and Nick Nolte. The film was a slog to get through, and it was wonderful to see that this film was not going to waste its time with an origin story that most of the public already knows. So, we get a Reader's Digest version in the opening credits and then find our hero hiding in Brazil. This was easy to match as a spiritual sequel to the Ang Lee film, and seeing the handling of the story, it was easy to see that this was going to be a much better experience. 

We get to see Bruce live among other people who do not understand very good English, so he has to learn Portuguese in one of the most dangerous parts of the world. The story gives us enough to see his new life and how he's adapting, also how he is going out of his way to hide his whereabouts. This goes awry, obviously, as General Ross locks onto his location and sends an entire special ops team to extract him. 

Within the first thirty minutes of the movie, we get a very nice tease of the Hulk as he succumbs to bullying from co-workers. This scene is chilling, and shows his power in stark detail as he throws giant machinery around. The Hulk scenes in this movie are awesome, I do not care what any detractor says. Seeing Bruce's eyes turn green is a rush, especially when he starts ripping apart military vehicles as they unload high caliber weapons at him. Then, of course, there was the final battle of The Hulk vs Abomination. 

Tim Roth plays a special ops soldier who survived his first encounter with the Hulk himself. Obviously, not all of them did. He becomes obsessed with finding the power that Bruce Banner possesses and Ross decides to give it to him. He starts becoming amazing as a fighter, but you also see his whithering form because of the toxic chemicals they put into him. He finds the other man who has the formula for becoming the Hulk, Dr. Samuel Sterns. Throughout the movie, we see him communicate with Banner in order to find a cure for turning into the Hulk. It goes about as well as any other time they try to find a way out of transforming into a giant beast. 

The actor they got for Sterns, Tim Blake Nelson, was an amazing choice for him. He was charmingly ignorant, optimistic and aspired to greater futures. This was a precursor to what would become The Leader, as Sterns gets some of the irradiated blood in a wound on his head. We immediately see his head expand, foreshadowing to his transformation down the line. Spoiler Alert: It didn't end up well, I'm sad to report.

Liv Tyler plays Betty Ross, General Thadeus Ross's daughter, and she does a very good job. She is a real character who tries so hard to help Banner throughout the entire movie. Their relationship is well handled, even if it's never followed up on after this movie in any meaningful way. Edward Norton and Liv Tyler have very good chemistry together in this film. They play off of one another very well and their scenes are very good to watch, even if they're passing exposition. 

The final fight is awesome, even better than the one in Iron Man. Hulk and Abomination bash the lights out of one another and it escalates into real strength-inducing rage! Whoever handled the CGI for the Hulk design and Abomination design had some serious talent behind them. Every time we see Norton turn into the Hulk, they blend the actor into the big green man very well without being overbearing. 

This film gets a bad reputation for various reasons, but it does what it set out to do. It brought the Hulk to cinemas with a good, coherent story. They even add the bit with Tony Stark and Ross at the end to give us a silently brilliant scene, hooking the Hulk in for the Avengers. That was all we had linking this to the MCU. They did not over crowd this movie with a bunch of Marvel tie-ins, they let it be its own movie with its own stakes. There's a lot to love about this film and it's actually a shame we didn't keep Edward Norton as Bruce Banner. Mark Ruffalo was alright at first but his awkward Banner acting became a little old and stale. The Professor Hulk persona didn't help but that's another review for another time. There's a lot to go through so let's wait and Virtua SMASH!!!!

Virtua Star #2 - I bought Star Wars the Original Trilogy on VHS

Even before Disney's purchase of Star Wars, the franchise wasn't exactly at a high point. It was clear that George Lucas's vision fell flat after he finished the Prequel Trilogy. While it did have its merits, it also had its tremendous downfall, as the prequels took too many liberties with contrivances to the plot and extreme ignorance from the good forces of the Jedi. Many will be quoted to say that the original trilogy was where Star Wars truly peaked and we have never seen and will never see such a meteoric rise in the franchise again. This is where creative forces truly shined. 

Many will argue whether the special editions were worth making and I will argue that they absolutely were. They brought an entire generation, myself included, into the Star Wars franchise, and I bought two Boba Fett toys among a vast array of other little tidbits. It can be seen as a cash grab, which it was, but it was also a way of George Lucas editing his original theatrical release. George did this so much, in fact, that he seems to have lost the original footage and fans have literally come out with a recreation of it. That's the level of fandom we're talking here.

While I did enjoy watching Star Wars in theaters as a small lad, I also came to find out that we had the VHS tapes in our collection already! I was ecstatic! They didn't have the shiny new special effects, but you'd better believe I binged the entire trilogy at home while also watching the special editions in theaters as they came out week by week. While I did fall in love with the SE, though, as I grew older, I came to find out that I had more of a soft spot for the VHS copies I had at home. Of couerse, at this point, those copies are long gone, so I had to find them through a convention. 

It's hard to explain just how important it is that Han Solo shot first. George tried to play up to him being a good guy, but it was that roguish attitude that the public fell in love with in the first place. The fact that he would blow away a bounty hunter to save his own neck is perfectly in line with his moral boundaries. Then came the scene that launched a thousand contraveries around the Star Wars fandom. Jabba the Hutt at the Millenium Falcon. People have lauded and loathed this scene. It's either a cinematic milestone or a very sore looking thumb against other, better special effects. Whatever your thoughts on it, I would have preferred they left it out entirely, rather than putting Jabba's face on a holo screen. The special edition's Jabba scene was rough and crude, but what they did to it afterward was flat out soulless. It's a complicated mess.  

That's the real problem here. George Lucas just got too handsy with his own property and in trying to perfect it, he ended up flawing an already perfect work of art. Art is not meant to be perfected in this way and constantly shoving in new dialogue and special effects only led to Star Wars becoming a convoluted pile of edits and random ADR. For some reason, they even doubled down on Darth Vader's "NOOOOOOOOOOO" as he does the same thing when he picks up the Emperor before throwing him. One of the biggest jokes and heavily memed moments in the Prequel Trilogy, yet they decide to shove it into the original trilogy. Seriously, I will never buy the blurays.

Is it really too much to ask to give Star Wars to a more respectful, creative thinker? Neither George Lucas or Kathleen Kennedy seemed to know what to do to really pump it for more money after its hayday came and went. After the Special Editions and the Prequels had their run, Star Wars began to wane. Lucas only seemed to know how to poke and prod the original work in order to get money out of it. Any other directions he tried to take the series was a bust. Then we all know how Disney sucked the soul out of Star Wars, but that's a series of articles all its own. Suffice it to say, getting the physical media where the movie was just tweaked slightly for video and sound quality is the way to enjoy it as it was originally intended. The Special Edition was okay enough to bring another generation into Star Wars and it certainly propped up the Prequel Trilogy for success in its run, but it's become much more of a novelty to enjoy it in its much more raw and pure form. Seek out the original trilogy VHS, toys, video games and anything else, it's the stuff that still ages like wine. It will be worth the effort. Stay with the Virtua Force.

Crash Storm #6 - The Gaming Industry Needs to Follow Bungie's Example

Whether or not all of this information is to be believed is still up in the air. If anyone is able, willing, even anxious to lie to us, it i...