Showing posts with label comic books. Show all posts
Showing posts with label comic books. Show all posts

Iron Man 2 - A Rough Metal Start


The MCU was a landmark of cinema because of the way it serialized entire movies and brought them all to a breath-taking conclusion. This was a journey that was marred with certain complications. Enter Iron Man 2, where they seemed to not know where they wanted to take Tony Stark's story. While Iron Man 3 would prove to be just as unhelpful, it seemed that after the initial Iron Man movie, Tony Stark shined a lot brighter in the Avengers movies or other movies that were not his. 

For starters, the villain in this movie was rather forgettable. Mickey Rourke gives a good performance as Whiplash, and Sam Rockwell is always good for an entertaining villain, but they just didn't mix well. There seemed to be too much conflict without enough actual story between them to make Hammer and Whiplash's interactions really click. They could be funny in the same scene, and they even pulled off a few good gags here and there. Overall, though, they both ended up just fizzling out of the series all together, both in person and memory.

One thing I did not hit on in the first review was the part of Thomas Howard. I have always loved him in pretty much any movie he is in and Iron Man is no different. This is why I was a little heartbroken that he was not returning as War Machine for the sequel. Apparently, he got top billing for the first movie and he wanted that again. When the studio refused, he walked and we got Don Cheadle instead. Cheadle has sat in that position comfortably ever since and we are all good for it. He brought some of his own personality and charm to the character and it worked like a perfectly fitted puzzle piece. A bit of a shame, but hey, who doesn't love Captain Planet, am I right?

The story, however, is not wrapped up with a very tight bow. In fact, there are some plot holes you could drive a semi through. For some reason, they decided that the fuel source for his power generator that was surgically implanted in his chest is now killing him. So, thinking he has no more time to live, he decides to go on a bender. This brings up conflict with Rhodes and the two of them go on and off while Whiplash is in the background, trying to kill Tony for his father ruining his father. This whole plot was a mess from the start. 

The biggest plothole lies within the sickness that is killing Tony. Bringing it into the story from the start painted them into a corner that they needed to get out of. So, what do they do? Make it to where his father made a new power source, made needless clues and difficulty to get to it and told Tony through a secret recording. His father somehow knew he would need this new power source and put the code for it in a secret message in a miniature Stark Industries display. It even miraculously cures Tony's illness immediately! To say this was nonsensical would be a grievous understatement. 

They handled some scenes with grace, obviously. They had a ball with Tony and Hammer going head to head in the courtroom at the very beginning. Some interactions with Tony and Nick Fury are quite comedic, but Fury basically is just a downer through the majority of the film. They also did very well with War Machine and Iron Man teaming up at the end to defeat all of the Whiplash drones, as well as the man himself. The battle was done well enough, but it's not going to be in any history books. While their teamwork was fun to watch, they're still just robot drones along with Mickey Rourke in a knockoff Iron Man suit. 

One of the biggest points in this movie's favor, though, is the introduction of Black Widow. Scarlett Johansson makes her debut as Natasha Romanova and does such a spectacular job, that the fanbase welcomed her to the Avengers with open arms. Her scenes of kicking ass did make it to the Marvel history books, especially mixed with some comedy from John Favreau. It's kind of sad that people actually liked her more than they liked this movie, thinking she deserved a better first appearance.

It's a mix and match of good and bad, but it's also not especially favorable around campfires. With how well the Avengers series did, this is seen as sort of a black sheep among the herd. It has its definite pros, but the cons kind of weigh it down to mediocrity. Iron Man would go on to become one of the most beloved characters in the MCU, but it most certainly wasn't due to his solo series in the franchise. As well as Robert Downey Jr plays him, it's still going to boil down to the script and what it provides to the series. This may have been an early entry, but it still did very little for the MCU as a whole. Black Widow and shiny new suits will only get you so far when you know what menace is over the horizon. That storyline is about to begin and it will shake this series to its very foundations. Virtua Snap.  



Justice League: Crisis on Two Earths - The Resemblance is Justice!

 These are where DC truly shined. Even above the Marvel Animated Universe, the DC Animated Movies were a grand success and it is clear why. Not all of them were part of the same universe, such as this one, but there is an actual reason for this. Crisis on Two Earths is one of the movies, such as Doomed, that was originally going to be part of the DCAU, but was scrapped. It would bridge the gap between Justice League and Justice League Unlimited. So, instead, we are given a masterful iteration of the Justice League.The voice acting, the action and the dialogue, all of it rings true with a real story behind it. 

While the idea of an evil Justice League dates way back to the early days of comics, this movie brings it to a real conflict of ideas having to do with existance itself. James Wood voices Owlman, Earth 2's version of Batman, and he deserves an award for this performance. He is serious, he is calculating, and he is a strategist bent on destroying existance itself. He is part of the Crime Syndicate, an evil version of the Justice League. Ultra Man, the evil Superman, leads them like a gang and has several different lieutenant on the field who also have super powers. The heroes of this universe are all but dead, wiped out by the Crime Syndicate, all down to their last man, Lex Luthor. 

Luthor of Earth 2 is the only one who is in this movie, while Earth 1's Luthor is seen to be in prison, reading a book. He goes to Earth 1 to enlist the help of the Justice League, saying that his team is dead and Ultra Man is planning something that will make his ownership of the world all but a certainty. The only thing standing in their way is the American president threat of nuclear retaliation. To gain the advantage, the Crime Syndicate needs a device that will allow them to destroy the entire planet. Owlman, however, decides he wants to destroy Earth Prime, the first planet and the only one that truly matters in the grand scheme of things. If Earth Prime is destroyed, reality is destroyed. 

The real fun of this movie starts when the Justice League come to Earth 2 and meet the Crime Syndicate's smaller gang members with lesser super powers. The fight between them is very charming and very large nods toward actual super villains and heroes of DC. There is even a lesser Wonder Woman besides Super Woman later in the film and Wonder Woman's conviction to defeat her is very telling of her character and shows that they understood her to a deeper level. 

It is not just a slug fest of two super powered opposites, while there is a good bit of that. It is always fun to see Superman take on Ultra Man and the two of them show which one is stronger and how they get the upper hand. Lex Luthor shows that he is also quite resourceful for the fight, though, and he is seen as the ultimate good in Earth 2 with his genius being able to match the powers of his opponents. It is good to see that they understood that he needed to be the seen as the one who claimed victory, as it would call heroes to his aid and ensure its continued prosperity. 

There are so many elements of DC represented in this movie, it's really hard to not just go straight into the entire plot beat by beat. The scenes with the Flash being hynotized, Martian Manhunter's rescue of the President's daughter, and Green Lantern's game of paper, rock, scissors, it all just added charm and little touches to this movie's entertainment value. However, there is one element that stands out above all else, and I only touched on the surface of it. 

Owlman is the hidden ultimate evil in this film. While Ultra Man is the leader of the evil gang, Owlman is the one who is even undermining him with his efforts. Destroying the Earth was already an evil enough plan, destroying Earth Prime would erase literally everything, but that is what Owlman believes is the only thing that would matter. He is an empty shell of Batman, as he gave into the abyss and believed that nothing truly mattered. The big problem is, when Batman fights him, Owlman is superior in both technology and hand-to-hand combat. It's one of this movie's little faults that Batman didn't put up a better fight, but in the end, he proved to be the winning strategist. 

When the Crime Syndicate invade the Justice League's base in order to gain the device for the bomb, this is when they decide to expand their roster. They call upon prospective members of the league and they fight the Crime Syndicate's strongest lieutenants and Super Woman. Batman is able to subdue her and bring her back to Earth 2, which is also another one of this film's greatest scenes.  

Crisis on Two Earths is my favorite movie in the DC Universe, and that's up against Batman vs Robin and Justice League The New Frontier. This animated series of DC movies would prove to be far more popular and profitable for WB and it was clear that they let them write their own movies. It's just such a shame that the DCEU couldn't be a similar success. Which movies I review will be up in the air, because I plan to touch on both. There is a lot to say about the entire run, and even if I haven't watched all of them, they're not hard to find. There shall be plenty of animated DC, though, these movies are just too good to pass on. Get ready for some exploring of the quality spectrum, from Son of Batman to Joss Whedon's Justice League... Virtua Help Us...

Spider-man: Brand New Day - Webheaded Disappointment

Spider-man is still the most marketable superhero there is. His toys, video games, comic books, and various other merch sells far better than the second, Batman. This may be part of why I started the series of Batman or Spider-man? The big problem with his marketability is that once the well really starts to run dry in the finances, they tend to lean on properties that show more returns. As a result, it feels like they rushed this movie out the door. They needed this success quickly, so story took a backseat to spectacle and fanservice. Whether a lot of it made any sense is apparently just not an issue. SPIDER SPOILERS!

How this needs to happen is going by the plotlines. Each of these plotlines go along the movie for as long as they need to be there. Once they have outlived their usefulness, they are discarded and never mentioned again. These can be storylines with severe repercussions on the characters and it can come and go as if it were nothing. This even goes into the territory of MCU's current state of affairs. Whether Tom Holland's Spider-man is a part of the Avengers at this point is very sketchy, but that's not really the movie's fault. The MCU itself is rather sketchy on such details in general.

The core of the problem with this movie lies with Jean Grey. A great deal of the faults in the story's morality and shifting focus boils down to the fact that Grey's overall plan was absolutely terrible. What she is after is her sister, as she was kidnapped by Damage Control and taken to a facility. The guy who is covering this up is not subtle, nor is his villainous intent. How Jean constantly attempts to break into Damage Control makes her out to be even worse than him. The first one that we see, which was her fourth attempt, is her taking control of some old lady's mind in order to drive a tank into the building to... break out... Scorpion. 

Look, I understand that you need to keep a villain's true motive secret in order to make the plot unveil nearer the end, but this subversion adds nothing and wastes time. Scorpion becomes the most important character for the first few scenes of the movie only for him to be dropped from the plot like a sack of bricks. Peter has a spider DNA problem taking him over and makes him turn angry with less control over his power. So, he hospitalizes Scorpion and starts to think that, maybe something is wrong.

It's all just anxiety ridden for the audience, and not in a good way. Even with all of this technology in his apartment, Jean invades his home. Even when the movie tries to make her sympathetic, she invade's MJ's mind only to taunt him. Her over-powered abilities don't even make sense for Jean Grey in the first place. She was only an average telepath, leaning more on her telekinetic powers. Yet, when unleashed fully, Jean can apparently hold entire crowds of people in mental stasis for several square miles in every direction. Even at his most powerful, Professor X has shown that a feat like this would tax him terribly, yet Grey is doing it here while also in the primary climax with Spider-man. They have a sit down about their feelings... Seriously, it's as lame as it sounds. Then, Peter gets shot!!! 

This is just the core problem with the movie. Not only are we supposed to show empathy for a girl who has shown no empathy for a single soul around her, taking over their minds like jumping through hoolah hoops, but now we need to see Peter obsess over his former life. MJ is caught up in all of this because Jean gleams his affections for her so now she's in terrible danger. Ned is a decent laugh every once in a while, but then we're reminded of his part in the script when he fangasms over "Black Widow" while she talks to Peter over video feed. I'm sorry, but no, I will never accept her as Black Widow and pulling me out of the experience of watching a movie to pass that over the audience really just shows what they're trying to concentrate on. 

So, these concentrated powers seem to come from his ineptitude to cope with the fact that MJ no longer has him in her life. Alright, well, this is probably not helped when MJ remembers Peter and still rebukes him. All of his fawning over her is not paid off, and we're left with the consolation prize of him reuniting with Ned instead. The powers? Oh, they just work themselves out. All of the biologically created webbing, new strength and stronger senses, he just learns to deal with it while fighting ninjas. The Hand's inclusion in this was... Yeah, it was dumb. The powers worked themselves out, giving hard questions as to whether it really needed so much screen time at all. 

Oh, yeah! The Punisher! The Hulk! Who else can we cram into this movie? While the Frank's scenes were good because his chemistry with Spider-man is fun to watch, the Hulk was a severely mixed bag. Jean puts far more people in terrible danger as she takes over the Hulk's mind. His mind is supposed to be excruciatingly difficult to control, both for Banner's brilliance and the Hulk's raw, terrible anger making anyone attempting control recoil in terror. Here, though, total control. He even comes very close killing both Frank Castle and Peter in a rage. Then he gets back to normal and is carted away, once again, out of the movie for good.

This story is exhausting and terribly written. There is no pacing and it feels like there is no story in the first place. It takes forever for us to get into Jean's story and once we're in it, we want out! Her morals are so twisted and the fact that she got away scott free just makes this movie feel unfinished. The climax is marred with overdramatized near-death scenes. Tom Holland is good as Spidey, as usual, but it's just another film that loves to stomp on his face throughout the runtime. It really feels like this life didn't get a whole lot better by the end of it. Watching him fail upward gets old after a while, and it'd be nice if he got a few actual wins every so often. Bring in Mary Jane or Black Cat, give him someone to be happy with that isn't dragged from his past life. Sure, the movie was successful in the box office, but it's pretty obvious that this was a film that was meant to be forgotten. It's in that stale area where it's not quite as bad as Far From Home, but still wagging on the tale-end of the tier list. It'll rest with the mediocre likes of Across the Spider-verse and Amazing Spider-man. Virtua Web Dud.

Batman or Spider-man?: Heroes at their Worst (Pt. 4)

 Well, since we judged our favorite superhero movies at their best, it's only fair that we go for their worst. While these movies had some fandom and others would argue that others are worse than these, this is going by a stark popular opinion and these are the two that gave me the worst time in the theaters. Though, there are some close competitors for the worst movies of our duo, we'll just go with these for now and call it good. By all means, if you have a better comparison, leave it in the comments. Also Activate Spider Bat Spoiler Warnings! BATSPIDER SPOILERS!

The Amazing Spider-man 2

It was an enormous task to decide which of these to put in this spot. Between this and Spider-man 3, it really came to petty devices to choose. Needless to say, this one wasted the most time for the audience. Not only does half of the movie's plots go nowhere, but it also gave us one of the worst performances by Jamie Foxx, a very talented actor. There is just so much to go over for this movie, so let's get this over with.

The problems just start immediately as you are watching. The pointless plotline of his father and mother's fate and what they were doing went absolutely nowhere. We see him look into his father's research, his notes, his briefcase with the technology and then it all goes off a cliff. There was so much precious screentime devoted to this horrible waste of human breath and it was interesting to see where it could have gone. Then it was just a conversation between ghost dad and Peter at the end that was cut from the movie. You know what?? Nevermind!

Then you have that age old problem with the villains, which is a TRAVESTY in this film. Both villains are boring and both villains only serve to piss off the audience by wasting more time. We may as well start with Foxx, since we've already mentioned him. He's the lesser of the two evils, but he is still quite evil. Electro comes to life, then hates Spider-man because he takes away his audience for 2 seconds. He loves him, then immediately hates him because the cameras go on him. Great writing, guys, way to put in that second grader logic. The rest of his story is no better, and the effects they used for his face were positively abysmal! The final fight scene was so poorly done that it's really hard to remember anything other than when he beat him in the tone of "Itsy Bitsy Spider". His obsessive Spider-man delusions at the beginning were hard enough to sit through, and they just hand us nothing better throughout the film's runtime.

The Green Goblin was even more horribly handled, as hard as that seems to believe if you haven't seen for yourself. The guy they got to play Harry Osborn was absolutely horrific in his role throughout the entire film. He cannot act to save his life, though that also may just be the directing. Either way, his performance was boring, monotone and absolute cringeworthy material by the time he got on the speeder thingy. His costume as the Green Goblin would have probably made it to more memes if he didn't look so utterly special. The way he came to the realization of Spider-man being Peter just made hands meet foreheads across the globe with how terribly it was executed. 

Then, of course, there's Gwen Stacy. Obviously, they handled their relationship fairly well. The breakup was unneeded drama, especially when it doesn't end up mattering in the end. Her obvious exit from the franchise was forecasted to an extent, but given their choice of Green Goblin, it just didn't work. Would we have liked her not to die? Yes, but if she had to, they could have at least gotten someone better for the villain role to do it. His reaction to her death was understandable, giving up the mask for a time. They handled his depression well and Garfield put on a great performance with her death scene. 

Beyond that, the Rhino with Paul Giamatti was a stupid way to handle his role. If they were going to waste all of their time with him as a human, they should have swapped and just given all of the time with him as the Rhino. There are just so many plotlines that go nowhere, like Spider-man's blood maybe having the cure for Osborne's disease or the Sinister Six garbage they set up but alas, there was no sequel. It really just all amounted to the audience getting nothing they wanted. 

It's also quite strange to note that they were planning to set up the Sinister Six, and yet they killed Electro in the end. He has been a key member in several iterations of the team and yet they kill him off before this series even gets a Sandman. The lizard was a good start, and Green Goblin plus Electro could have possibly gotten a good squad together, but they seemed to readily poke holes in their own plans. Just think of how they set up the Rhino. It's hard to believe anyone would get excited for such a team up, even with Giamatti returning to the role, which would be doubtful even if the series continued.

There were some good scenes in the movie. Some of the smaller scenes of Spider-man doing his thing were quite entertaining or when he was inventing new webshooters. The scenes between Peter and Gwen were very well handled when they were an actual couple. The fight and Gwen leaving to go overseas for college were just all filler upon filler to add more and more storylines that bog this movie down. Given what actually happens to Gwen, they spend entirely too much time with them fighting and worrying about each other and not enough time doing what was their strong suit: Being a couple. The two actors were dating at the time, so they knew how to bounce off of one another very readily. They even improvised lines very effectively. 

The fact that some snearing, ugly jerk comes and kills her is probably one of the worst things about this film. The problem was that their version of the Green Goblin was gangreneous and every moment he was on screen was absolute torture. How he took one single look at Gwen and figured out that Spider-man was Peter will go under file as one of the worst most contrived plotpoints since Spider-man 3's Harry Osborne had the butler revelation of who actually killed his father. Such lazy storytelling takes the audience out of the experience and this is no different. 

There came a time when the story just didn't know when it needed to ease off the throttle. When Green Goblin is starting to execute his plan, Electro is fighting Spider-man and Gwen is struggling to get the controls of a power plant, they decide to sprinkle a small plan crash plot like a garnish that ruins the food's texture. Why was this in the film? No, seriously, they had everything else going on, why did they need to add to the duration of an already over-stuffed movie? There is a rule: Every scene should do one, if not multiple things in a natural flow. This entire thing with the plane being unable to land does literally nothing.

Even the good things are bad in this movie. It is a slog to get through with all of the weight it is carrying with wasted time and plot devices. The performances are laughable and unable to carry this film, it just had too much footage cut from it when they thought they should keep in all of the content and maybe finish it later? Their decision didn't make any sense and we never got a third movie because Sony would have liked Andrew Garfield to attend big parties or something like that, it's all just a mess. Given how the first Amazing Spider-man started out, it would have been nice to see it go in a better direction. Is it worse than... another superhero dud, though?

Batman and Robin

There comes a time when studios and directors need to ask themselves how serious they are going to take a project. Sadly, Joel Schumacher has passed on since the making of this film and Planet Virtua bears him no ill will. We understand he was actually quite a lovely human being and he did direct Phone Booth, which was a very good movie. Batman and Robin, however, was not taken seriously in the slightest. Even with the dark versions of Batman being popular and the more serious elements of even the third movie, Schumacher was told to make it safe for kids. He took that to mean it should be a cartoon. He has since apologized through an audio commentary.

If you don't take this movie seriously, it can be fun to watch. Putting it next to Batman and Batman Returns, however, is another story. Hell, putting this up against Batman the Animated Series, which WAS a cartoon, still paints this in such a silly and clownish light. How they changed Bane from an actually intelligent criminal with venom powers just killed his character. Now he's just a Frankenstein's monster knockoff who has caveman talk. Everything is dumbed down like that. Even Uma Thurman didn't take this seriously and just had a lot of fun pumped into her performance. 

George Clooney, however, seemed to be rather miserable throughout the entire shoot. It seemed like he was wanting a more serious version of Batman, not this one where he ice skates and plays hockey with a bunch of thugs like Adam West Batman days. That's how the entire duration continues to play. Even when this movie is trying to be serious, it just gets serious enough to get to the next joke of a movie scene. Both Clooney and Arnold would go on to say that the movie did not help their careers in the slightest and many criticized them for making Batman into a parody. They have apologized, but they have also garnered a bit of an ironic cult following at the same time.

That leads us to Arnold as Mr. Freeze. If there was ever a more memed villain, it's hard to think of one. His ice puns are infamous from this role, and he just clowned it up for the fun of it. He had no problem putting on the polar bear house slippers and having a good dance to the Snow Miser song. His costume did look very impressive and apparently cost millions of dollars to both operate and keep Arnold in. Every single second he was on screen, they were burning through cash for this film, as it turned out to be one of the most expensive movies of the time. 

Nothing in this movie really makes a whole lot of sense at all. We don't see how Mr. Freeze's wife can breathe in her fish tank, we don't know how diamonds can power and charge machines meant to freeze things with ice lasers, and the forces that they are playing with in this movie could possibly destroy the Earth's atmosphere with ice lasers and sun heat beams from space. They just tossed logic out the window and said nonsense mumbo jumbo to make it sound good. They even made up a fictional sickness for both Mr. Freeze's wife and Alfred Pennyworth to be sick with just to tie their two plots together. 

Every side plot in this movie basically all boils down to "Team Work" and goes about it with a scattered sensibility. Robin keeps getting snubbed during missions because Batman does not trust that he is able to handle the danger. Thankfully, he doesn't milk the fact that he is an orphan and sad about his parents, in fact, he simply mentions that while he was with the Flying Graysons, it only worked because they were a team. While the theme is readily available without thought, the line does show character depth. Then there is them accepting that maybe Alfred's niece is skilled enough to take down criminals in a bat costume. This was a great idea with very poor execution. Making them into the Bat Family was a great idea, but it needed time to breathe, rather than be shoehorned in at the third act. Not to mention, let me accentuate my point when I say that Alicia Silverstone cannot seem to get out of her school girl persona until she gets into her Batgirl outfit and suddenly she is a blank plank of wood. Alicia is trying to be a badass when she's in the costume, but it makes her sound like she's about to fall asleep. They take the theme of "Team Work" entirely too seriously and run with it a few bridges too far. It's also prudent to note that Poison Ivy betrays Mr. Freeze because she is jealous of his wife. Bad guys have no "Team Work" and yadda yadda. 

There's another character that got very poor treatment, Batgirl. Oh yes, and Alicia Silverstone is absolutely horrible in the role. She has the look but she does not have the acting skills. She and Robin have a very terribly written dialogue of some sort of chemistry. It wasn't the good kind of chemistry but something was at least there. If the script were any better, it may have been passed off as a wacky comedy Batman, but as it stands, it will never be extended upon.

The relationship between Robin and Batgirl could have gone somewhere, but all it really did was pad out the runtime and give the late, great Coolio a brief cameo. Neither Silverstone nor Chris O'Donnell had the chemistry nor the script to pull this off effectively, so their flirting near the end was stilted and cringeworthy. In fact, even the scientists' acting was extremely amateur. When these elements are put together with a stupid giant laser plot, it really just falls off the rails. Yes, it was always a good plot for an Adam West Batman movie. With exploding sharks and other wondrous gimmicks like running around with a giant cartoon bomb, you can see where Schumacher got his inspiration.

The movie made money, but the reviews for it were so bad that Warner Brothers decided to pull the plug on the entire series. Many will argue that the Burton universe and the Schumacher universe were two separate things and you'll get no argument here. What it brought were the Nolan films and those were far better received, even though the third movie was... well that's a review for another time.

Which of these movies is worse? That's an excellent question. Should I give a point to the winner of the worst movie or the one that's not as bad? That's another very good question. So, we'll keep this rolling by going for a tie, giving them both a point, because no one truly wins in a conest of absolute horrific quality. Both of them have terrible movies, not to mention TV shows, but that's, once again, another article for another day. Rest in Peace, Joel Schumacher, Virtua Rest.

The Incredible Hulk - An Underrated SMASHING Gem

If there were ever a time that opinions clashed, it would be my personal review of The Incredible Hulk against seemingly everyone else. This movie had an all-star cast, the late great William Hurt, Liv Tyler, Edward Norton and Tim Roth from one of the greatest movies, Pulp Fiction. The Incredible Hulk was coming off the tail-end of the horrific realm of Hulk, an Ang Lee film starring Eric Bana and Nick Nolte. The film was a slog to get through, and it was wonderful to see that this film was not going to waste its time with an origin story that most of the public already knows. So, we get a Reader's Digest version in the opening credits and then find our hero hiding in Brazil. This was easy to match as a spiritual sequel to the Ang Lee film, and seeing the handling of the story, it was easy to see that this was going to be a much better experience. 

We get to see Bruce live among other people who do not understand very good English, so he has to learn Portuguese in one of the most dangerous parts of the world. The story gives us enough to see his new life and how he's adapting, also how he is going out of his way to hide his whereabouts. This goes awry, obviously, as General Ross locks onto his location and sends an entire special ops team to extract him. 

Within the first thirty minutes of the movie, we get a very nice tease of the Hulk as he succumbs to bullying from co-workers. This scene is chilling, and shows his power in stark detail as he throws giant machinery around. The Hulk scenes in this movie are awesome, I do not care what any detractor says. Seeing Bruce's eyes turn green is a rush, especially when he starts ripping apart military vehicles as they unload high caliber weapons at him. Then, of course, there was the final battle of The Hulk vs Abomination. 

Tim Roth plays a special ops soldier who survived his first encounter with the Hulk himself. Obviously, not all of them did. He becomes obsessed with finding the power that Bruce Banner possesses and Ross decides to give it to him. He starts becoming amazing as a fighter, but you also see his whithering form because of the toxic chemicals they put into him. He finds the other man who has the formula for becoming the Hulk, Dr. Samuel Sterns. Throughout the movie, we see him communicate with Banner in order to find a cure for turning into the Hulk. It goes about as well as any other time they try to find a way out of transforming into a giant beast. 

The actor they got for Sterns, Tim Blake Nelson, was an amazing choice for him. He was charmingly ignorant, optimistic and aspired to greater futures. This was a precursor to what would become The Leader, as Sterns gets some of the irradiated blood in a wound on his head. We immediately see his head expand, foreshadowing to his transformation down the line. Spoiler Alert: It didn't end up well, I'm sad to report.

Liv Tyler plays Betty Ross, General Thadeus Ross's daughter, and she does a very good job. She is a real character who tries so hard to help Banner throughout the entire movie. Their relationship is well handled, even if it's never followed up on after this movie in any meaningful way. Edward Norton and Liv Tyler have very good chemistry together in this film. They play off of one another very well and their scenes are very good to watch, even if they're passing exposition. 

The final fight is awesome, even better than the one in Iron Man. Hulk and Abomination bash the lights out of one another and it escalates into real strength-inducing rage! Whoever handled the CGI for the Hulk design and Abomination design had some serious talent behind them. Every time we see Norton turn into the Hulk, they blend the actor into the big green man very well without being overbearing. 

This film gets a bad reputation for various reasons, but it does what it set out to do. It brought the Hulk to cinemas with a good, coherent story. They even add the bit with Tony Stark and Ross at the end to give us a silently brilliant scene, hooking the Hulk in for the Avengers. That was all we had linking this to the MCU. They did not over crowd this movie with a bunch of Marvel tie-ins, they let it be its own movie with its own stakes. There's a lot to love about this film and it's actually a shame we didn't keep Edward Norton as Bruce Banner. Mark Ruffalo was alright at first but his awkward Banner acting became a little old and stale. The Professor Hulk persona didn't help but that's another review for another time. There's a lot to go through so let's wait and Virtua SMASH!!!!

Iron Man (2008) - Where Chaos Took Form

Iron Man is where everything rested, as far as Marvel was concerned. This was their final shot in creating their own film studio and it was set in motion because comic books were dying. Marvel has had some great highs along with some historic lows, and Iron Man was what pulled it out of the pits of near bankrupcy. It did that, and it revitalized Robert Downey Jr's career after a long battle with addiction and unreliability in the eyes of Hollywood. This is the first movie that officially brought about what was coined the Marvel Cinematic Universe and pulled victory from the jaws of defeat. It not only brought Marvel back into full mainstream attention, but it also brought the comic books from the brink of destruction. 

This is rather strange, because Iron Man is not what one would call a masterpiece, but it does what it set out to do. Even Stan Lee agrees that Downey Jr is definitively Tony Stark and he has remained as such throughout the MCU's run. Another great thing that helps this movie is the legendary Jeff Bridges, who plays the main antagonist Obediah Stane. While he doesn't make a very good giant robot boss, he does make a very devious, slick talking snake. No matter what the deal, he always has a way out and takes whatever advantage he can when the time comes. 

The greatest victory this movie performs is Tony's backstory of being captured by Middle Eastern Radicalists who try to use him to create a massively devastating weapon system. Instead of building the missile attack device, he is assisted by his scientific friend in creating Iron Man's prototyical suit. Tony's escape is easily one of the best scenes of this entire film and is both heartfelt and action packed. It's even got a little dark humor when one of the terrorists tries to sneak up on him and shoot him in the helmet. 

While Gwyneth Paltrow is a bit of a controversial subject all her own, she does well in this movie as Tony's love interest. Both her and John Favreau play their roles very well, as well as Favreau directing the film itself. The performances are stellar, and that elevated this movie to its highly favorable position. The only problem was the ending when Iron Man faces off against War Monger, Stane's iron suit. The banter is humorous and the fight is unique when the thought is put behind the icing problem at high elevations. Beyond that, though, they made Iron Man have a handicap because he's using an outdated energy core for the device in his chest, keeping him alive. 

The movie is just flat out entertaining and gives you some great characters through amazing acting talent. The story has a great pace and the fact that they focused on making it a great movie rather than the start of a cinematic universe, only shows their dedication to success rather than weighing it down with hints of Hulk, Thor and Black Widow. They allowed movies to be movies and that really let people ease into the idea of a feature connected to another feature to make a series. This was normally done with one character in mind, not an entire barrage of main characters who were destined to form a team. There were so many factors that made this movie and series a success and it all began with this fantastic film that had minor issues but major impact. Virtua-Venger  



Batman Forever - Because Why Not?

So, since we've got the first two movies in the bag, let's keep this rolling into the Schumacher era. Batman Returns turned out to be so dark that the toy deal they had with McDonalds was cancelled and taken out of Happy Meals. Apparently a grim penguin man biting someone's nose into drawing blood and planning to kill children didn't go over well with parents. Tim Burton was immediately off the next movie and the studio decided that Joel Schumacher was a much safer bet. He set out to create a new Batman with the essence of Adam West in mind. Gotham was now colorful, brightly lit and more like a city of neon and jazz. 

Right from the start, we get a bank heist with Tommy Lee Jones acting as Two Face like he's both the Joker and a Dick Tracy villain. The dialogue took a massive hit. The civilians in this movie act so over the top and the action is so sporadically huge. Everything that was subtle and dark in the first movie are now brightly lit and Val Kilmer puts on a much more light-hearted Batman. Given better circumstances, Kilmer could have been a great lead. He even did well as Bruce Wayne. The problem was the script. He has an overly provocative therapist horning after him like she thought she was hired for an adult film and, at the same time, has two variations of the Joker as villains. 

Jim Carrey was a homerun when it came to casting. He took The Riddler to heart and he went big with it. The riddles are still lame, though, and everything doesn't seem to want to make sense throughout the runtime. Half of the stuff that happens, like how he edited a video to make it look like his boss committed suicide, or how there was already a Riddler type character with a game machine and a bobblehead, none of it made any sense. Logic went very much more aligned with the Silver Age of comic books. 

There came another addition to the cast that actually made it to the fourth film, and that is Robin. Chris O'Donnell's induction into the film was a bit sketchy. He was supposed to be Dick Grayson, who was far younger when he became Batman's sidekick. It is understandable that he would want to go after Two Face for killing his family, but the way he just shoved himself into the lore was jarring. Stealing the Batmobile, saving Batman from dying while wearing his acrobat outfit, and then the full suit he was given seemingly out of nowhere, Robin just didn't feel like a natural part of the story for several reasons, and it really doesn't get any better in the next movie.

One great thing that followed the films in all four of them was Pat Hingle and Michael Gogh and they were an anchor when we needed them. Commissioner Gordan and Alfred Pennyworth are two characters that they took by storm and God rest them both. Even when things got nonsensical, these two stayed themselves and rocked their roles like they always did. Beyond these two characters, the movie series is literally unrecognizable from this point on.

How they gave Two Face two of so many things was meant to be comical. It makes no sense for real life, but sure, go ahead and have Drew Barrymore as one of two of his wives and make everything dual colors. The Riddler's lair is not any better as the question marks are everywhere to an impractical degree. The movie is entertaining in its strange decore, and it could have been good as a stand-alone universe movie, but it branded itself as the third entry in a series that it bears no resemblance to. 

When you turn your brain off and activate your Batman fandom, you can enjoy this film as a silly Batman flick. Schumacher took what all of them said to heart and made it as safe and marketable as they possibly could. It worked. The toy sales were through the roof, the ticket sales were nice and plentiful, but the problem was that they changed everything. Parents came with the children they were with and they asked, along with the critics, what happened? This would be a massive precursor for what would come next, though. Schumacher seemingly won this round, but that inevitably led to him getting another film where he was given the keys to the kingdom. He took that control to the next level and I suppose that's the inescapable next review. I would like to escape, though. Robin, get the bat grapple! 

Batman or Spider-man? - Saturday Morning Beatings! (Pt. 3)


Very few characters have ever had so many iterations of animated TV shows. Both of them had their own live action and animated series back from Batman's start in the 1930 serials to super hip 60's and 70's shows for both of them with horrific special effects. To Batman's credit, his flew on for entire seasons while Spider-man's poorly received series not even going past 13 episodes. Adam West's TV series went on to be respected as the shark-spraying piece of cheese that it is, but it was hardly the peak of the Caped Crusader's most popular outing. Both of these superheroes have an entire plethora of TV history, but their true renaissance wouldn't come until their Saturday morning animated series in the 90's. 

Batman The Animated Series

Bruce Timm and Paul Dini are the two men credited with making this show the great entity that it was. After Tim Burton's 1989 movie took the fanbase by storm, they wanted to follow it up with a shadowy, more young adult oriented animated series that was also safe(ish) for kids. Kevin Conroy and Mark Hamill brought about a Batman and Joker that would live on for generations as two of the greatest versions of each character. Each episode was so amazingly crafted with developing stories for both the Batman rogue's gallery and the batfamily, even going so far as to create its own ever-spanning characters like Harley Quinn. Joker's jester-like partner and underling came about with this series in the episode "Joker's Favor". 

Even Mr. Freeze, a character that was never taken seriously before this cartoon, was expanded in his lore and treated as one of Batman's most dangerous opponents. With a wife in a coma with which he is finding a cure, he needs to resort to crime in order to gain the funding. This version of Freeze would become the real version that everyone turned to for reference. Killer Croc, The Mad Hatter, Clay Face, Catwoman, all of them were so done with astonishing quality in both writing and character progression throughout. 

The scripts were written with intelligence and even the worst episode, "I've got Batman in my Basement!", is still good enough to hold its own against scrutiny. Villains were given understanding motivations and some of them are genuinely heartfelt in their dispositions. Sometimes, they don't want to be this way and just succumb to mental illnesses. Most of them are just greedy, though, and with Batman's no-kill rule, it's not as if he's over punishing them. H.A.R.D.A.C. Batman was just confused as to who was the real Batman and actually thought he was the Dark Knight himself. He was a robot clone that was just trying to be Batman. These stories really can go to some dark places and make you think.

The animation and artwork became iconic for Bruce Timm's style and all the way to the Superman crossover and art change, they were very aesthetically pleasing. Once the art change happened, though, Joker, Scarecrow, Bane, Mad Hatter and some others took a bit of a nosedive in character design. It wasn't a dealbreaker and it didn't outright destroy the show, but it didn't do it any favors. The last season is seen as a bit of a weak point but the show was still great. Even when it added the Robins and Batwoman, this series never faltered in its quality. The series in its entirety is still seen as a milestone for the character and comic series of Batman.


Spider-man The Animate Series

Once Spider-man threw his hat into the ring, it took a lot of fans by surprise. You would think it would just copy off of Batman's homework, but it took the series in a whole other direction. The idea for a series was, in fact, directly connected to Batman's, but beyond that, it exists in its own style of art and storytelling. It is far more into progressive storytelling, where the Dark Knight was more episodic. This was a good and bad thing for both series for two different reasons. Sometimes, Spider-man just carried on its stories for a little too long. Sometimes, though, Spider-man pulled off a real banger of a season. 

The early episodes are far superior to the later, though. By season 3, the stories began running on for far too long and this came to a head in season 4 where it ends on a cliffhanger that would never be resolved. It went from episodic and 2 to 3 parters to just going on and on and on with the same story that just ends up getting old. To try and spice it up, they even bring in the X-men 92 characters, but it didn't have exactly the hyped effect that they were hoping for. 

When Spider-man started with fighting Vulture, Scorpion, Rhino and Doc Ock, many agree that the series was at its peak. When Venom and Kingpin had plots, they tended to last longer but kept up the quality writing. There were some fantastic stories being told with pacing that was willing to take its time and build up to the bigger battles. This was when the series was hitting them out of the park! Peter Parker struggled with his home life and his hero life while trying to get with Mary Jane and this had its ups and downs while only really getting annoying by the last season. Then there was the more complicated relationship Spidey had with Black Cat. With villains like the Green Goblin or Lizard being people he looked up to professionally, it held real weight because these were characters we've been introduced to before they went to the baddies. 

There were limitations, though. This was a time when bullet guns were seen as bad, so they switched to lasers. They also wanted to keep a hard Y7 rating for the younger audiences and Fox was on a no violence kick, so there could be no on-screen punches. So, you get more jump cuts away from hits and a whole lot of web shooting to debilitate villains. Spider-man had to use his brain and out smart a lot of his opponents and a lot of kids never even noticed the nonviolence. It didn't really suffer as a result. It was more the graphical aspect and the framerates that hurt the series. Sometimes the slow-motion would just make the screen bug out and the animation would get jumpy and it was weird, even for the younger audience. 

The voice work and the overall execution of the series had its very high points, but also had a few flops. A lot of people will point to the Black Spider-man calling after Shocker, and yeah that's when it was most noticeable. While Kingpin's voice became iconic for the character, there's more stock villain voices for a lot of the rogues. After a while, they started making up villains and pulling some of the more not great versions of well known characters. Blade was done pretty well, but Morbius wasn't. Instead of being a blood-sucking vampire, he absorbed plasma through weird growths on his palms. If they weren't going to go full on with him, then they shouldn't have brought him up in the first place. The did the same with Punisher. Obviously, he wasn't going to go on his normal blood baths like in the more adult themed comics, but the laser blasters just took something away from the more tough-guy persona. 

So, obviously, Batman wins this one by a longshot. Spider-man was not a bad series, it just didn't age as well and took a much deeper dive in the later seasons. It had its place in the vast amount of superhero cartoons, but Batman was seen as the prime example to follow. Many could make the case that Spectacular Spider-man was a better choice to face this challenge, but it was made in a different era, whether it was better than the 1994 series or not. The two of them did well in their own right, but this is definitely 5 points to the Caped Crusader himself! Give them a try and next time we'll examine some of the lesser animated series tries. So, be warned that we may be viewing Beware the Batman. That's right, a warning. You're Bat Warned. 

Pryde of the X-men - The Franchise that Almost Was

There aren't many that have ever even heard of the X-men animated series before the 1992 iteration. As awesome as that series was, there was, indeed, another series right before it. It all began with, surprisingly enough, Robocop the animated series. They gave that series 12 episodes and the reason it didn't have the full 13 is because the final episode's funding was transfered over to what is now known as Pryde of the X-men. This series failed to take root, mostly because it wasn't all that great. The voice acting was a little off, especially with Wolverine's weird Australian accent and Magneto's cliche ridden villain voice. There was a lot wrong with this pilot episode, but it also grew a cult following because of everything it did right. 

We get a fairly decent, albeit long, introduction to each of the X-men. The roster is actually different from the one in 1992, but not really in a good way. Yes, Rogue was one of the greatest characters, but the exclusion of Colossus and Dazzler is a bit of a downer. I like Nightcrawler too and he was barely in the 92 series. Aside from that, we still get Wolverine and Storm, so even with his weird voice, he's still the character we know and love. 

The movie is based around Shadow Cat, who has a very annoying baby voice of Kath Soucie. They call her Kitty Pryde (hence the title) and honestly, she should have been the character they did rather than Jubilee. Her powers aren't exactly comparable or quite as useful in combat, but that gave her a bit more charm than what we ended up with. Professor X still remains basically the same, though his 92 voice is far better without sounding like Charlie from Charlie's Angels. He also gets an upgrade from his normal looking wheel chair. 

The animation is actually far better than what we normally get from old 80's cartoons of the time. They actually stepped up their game, probably because it was the pilot and/or finale of Robocop amount of effort. What could have come from the series may have been a massive downgrade, but I guess we'll never know. The best thing you can say about this show is that it is better than the average animated series. The real problem is that the story/plot is extremely basic and seemed to want to cram anything and everything in its runtime. 

For some reason, someone thought it would be a good idea to literally plop this into a story EXTREMELY similar to its videogame counterpart. All of the Brotherhood of Mutants in this show are treated like boss character underlings while Magneto literally stays in the back and gives commands. Then all of the time, Kitty Pryde is whimpering and whining like a little tiny baby with a rattler. Her dialogue is so cringeworthy, a bit more realism in her demeanor would have been nice, but we got what we got. 


The cool thing about treating every villain character like a VG mini-boss is that we got some pretty awesome dream battles. Juggernaut vs Colossus may have lasted 5 seconds, but it was still cool with the face off with "Me, Juggernaut!" Still, seeing the White Queen relegated to a minor obstacle was a big downer. With so many characters in the toy box, not all of them could get the needed attention, but really, why Kitty? 

Despite its flaws, though, it is still a nostalgic piece of art that many saw in their childhood and loved when they were kids. It may not have aged well with people, but it did become a staple in many collections. I saw this when I finished the 92 X-men's first season and was hungry for some more. This was weird, I'm not going to lie. It was a big difference between this and the far more serious show of the 90's. I had no idea that this was produced by the same lady, Margaret Loesch, who literally put her career on the line to create this entire franchise because she loved the idea so much. This was a fun show and it had all kinds of charm, including that wondrous 80's cartoon charm that so many love and will almost cry from such gorgeous nostalgia. It brought one of the best beat'em ups out of Konami and it was the precursor to one of the greatest cartoons ever made. We owe this random cartoon pilot a lot and it's fun to revisit from time to time. It may be a little hard to watch without crying, but that's just life. Comfort works in strange ways. Virtua Comfort.

Batman or Spider-man? - Feature Length VHS (Pt. 2)

 Who can say who the real Batman is? Who is your favorite Spider-man? Can you believe how many Spider-men there have already been? Live action superhero films were always expected to be low quality, and a lot of the time, they were. That is, unless they were Batman or Spider-man. Not only did Batman from 1989 show people that superhero films can be not only awesome but also gritty, but Spider-man fired off the superhero genre in serious film. Batman, Blade, X-men and Spider-man finally proved, beyond the shadow of a doubt, that modern superhero movies can be fantastic! (Okay, no, there has not been a really good Fantastic 4 movie, but that's a subject for later) Excelsior! 

This will be a look at multiple movies, because there are many different series, even if there are even more actors. Somehow, Batman and Batman Return are in the same series as Batman Forever and Batman and Robin. Many will say that Pattinson or Bale are the real Batman, and there are even a few that would count Affleck with that title. These are all valid choices. Even if Kilmer wasn't the best Batman, we still love him and hope his family and friends remember him fondly. 

Batman Returns

No, friends, here we recognize Michael Keaton as the real Batman. We've taken a fairly close look at the 1989 title already, and it's most assuredly winning him some points in this race, but many would argue that Batman Returns is his magnum opus. Getting personal for a moment, this movie just lacked a lot of tact and taste. Seriously, I liked those Burger King toys that came out with the movie, but they got shelved because this movie was very vulgar and graphic for children. Still, there is no denying its quality and it is still Michael Keaton. 

Batman doesn't bag as many bodies in this title, but there is no shortage of villain death at his hands. He lights a guy on fire and makes another one explode! The dark tone to this movie is not undershot by Michelle Pfeiffer, who is absolutely flawless in execution. She even learned how to use a whip to near perfection for this role and that just proves her dedication. Her performance is also irreplaceable. 

Then there's Christopher Walken! He is always awesome and kills any argument against this movie. He is so calm throughout this entire movie, and yet he is so sadistic that he will kill someone to gain business advantages and/or silence them for finding out the many illegal acts of fraud and embezzlement. Seriously, this guy makes a guy in a batsuit look sane. 

The action set pieces are awesome, but the look of a thousand penguins in mechinized kamikaze rockets is just haunting. They make the circus henchmen out to be colorful and have their own gimmick. One guy played by Vincent Shiavelli uses a monkey, while a very pale woman uses a very tiny dog who is able to catch a batarang. Penguin had a decent plan to become mayor. He just screwed with the wrong bat! 

I love how Bruce Wayne was the only one who was skeptical of Cobblepot, knowing he wasn't doing what he said he was doing. It really plays into Batman being a detective and it also pushes him to his limits. When the Batmobile comes under the control of a transmitter, it's just fun to see how Batman counters Penguin's strikes. He even strikes back by ruining his speech for mayor. 

While it is not my favorite title, it is still a beloved relic of when movies did their own thing and had their own artistic style. It's a shame that Burton was removed for the threequel and Keaton left when Burton wasn't on board as director. This movie was very dark, but it seems like he could have been asked to reign it in a bit. Either way, what we got with Joel Schumacher was at least good for a laugh from another old friend who seemed to genuinely be a good human being. 

Spider-man 

Tobey Mcguire had some very large shoes to fill when it came to the character he was taking on in 2002. There was a lot of expectation in the Sam Raimi directed summer blockbuster film. And bust that block it did, because Spider-man was a massive hit. It was yet another piece of evidence that superhero movies were capable of being awesome and garner praise from both fans and critics while making them truckloads of money. To put it bluntly, this movie is kind of weird, but in a very good way. Somehow, they went slightly old school comic book with the dialogue style and the world. A lot of the dialogue can sound stilted or unnatural, but somehow, still fit into this very... different reality. 

Peter is likeable, and it's good that he's not just pushed around, he is known to fight back to some extent. The character moments where he gets bit by the spider and becomes arrogant does kind of come out of nowhere, but it is evident throughout his entire fight with Macho Man Randy Savage, who is wrestling under the name BOOOOOOONE SAWWWWWW!!!! Macho Man never looked so awesome as he did when he made a cameo appearance in the very first Spider-man movie. 

It was a shame to lose Cliff Robertson, as his character Uncle Ben, but that's how the story goes. The movie follows along with the origins of Spider-man rather well, and of course they put a more modern spin on it. The costume we know and love comes about after his uncle's murderer accidentally falls to his death. Yes, it would have been nice to have the original introduction to the costume, but with the tragedy that happened, it's probably a good idea that they nixed it. 

The Green Goblin with Wilem Dafoe is a standout performance. That is saying something when it comes to this cast, because everyone pulls their weight, but Dafoe is so cartoonishly evil, you can't help but love to hate the hell out of him. His tech looks really cool, with the pumpkins looking very futuristic, but yes, the mask is rather overly cartoonish. This is not a wussy version of the Goblin that just explodes to harm people or cause headaches. He flat out kills people with his pumpkin bombs and they still get away with it being not all that brutal.   

Then there is Kirstin Dunst, yes, we must talk about her. In retrospect, it probably could have gone better with their relationship. As it stands, it's a bit more of a fairytale relationship by comparison to the comic book's relationship between them. Still, in the first movie, they screw it up still, yes, but at least she didn't know he was Spider-man, yet. The relationship they have throughout the film may not have been the healthiest one, but it was certainly cinematic. 

The love scenes are fun, the action scenes slap, when it comes right down to it, this movie is solid all around. The extras' acting could use a bit more direction in some cases, other than the true Raimi form in bringing in Bruce Campbell for a cameo. He announced the match for Spider-man vs Bone Saw. Yet another memorable element to that legendary scene. 

When you compare the Batman series with the Spider-man series, there are a lot of similarities. The third installments were not great but the movies started out very strong. In this case, though, the scoring system that is very real has decided that Batman wins this round. If I had a golden VHS trophy, it'd go to Michael Keaton, but Tobey Mcguire in Spider-man 1 and 2 pulled those movies together and was a strong performer as Peter Parker, and he had a good performance as Spider-man. Batman just has to be a bit more legendary, but this is a very close call. Batman receives a score-tying 5 points. Happy Thanksgiving, folks! Virtua Bat Punch!


Iron Man 2 - A Rough Metal Start

The MCU was a landmark of cinema because of the way it serialized entire movies and brought them all to a breath-taking conclusion. This was...